〈陽關圖〉與〈送元二使安西〉的圖畫傳播

Picture Spread of 'Painting of Yang Guan' and 'a Farewell Poems to Yuan Er'

作為唐詩的經典作品，王維的〈送元二使安西〉，既被入樂歌唱，又被入畫傳播。圖畫傳播具有流通性和聚觀性特點，圖畫傳播詩作又具有增殖性和衍生性效應。宋代先後有六種〈陽關圖〉傳寫王維〈送元二使安西〉詩意，其中以北宋著名畫家李公麟所作〈陽關圖〉影響最大。王維的〈送元二使安西〉，催生了李公麟的〈陽關圖〉，李公麟的〈陽關圖〉不僅引來其他五位畫家的仿效和繼作，又激發了其他詩人的創作熱情，衍生出蘇軾、蘇轍、黃庭堅和楊慎等宋金元明四朝二十多位詩人的三十多首題〈陽關圖〉詩。從王維的〈送元二使安西〉詩到〈陽關圖〉畫再到〈陽關圖〉題詩，構成了創作－傳播－接受－創作的詩－畫互動系列。

As the classic poems of Tang Dynasty, Wang Wei's poem named ”A farewell poem to Yuan Er”, was reproduce into songs as well as in paintings such as ”Painting of Yang Guan”, a painting of describe the poem. Picture spread has the functional liquidity and allows mass communication through onlookers. Picture spread of a poem, has added its value and effect. In the successive of Sung Dynasty, there were a total of six paintings of ＜Yang Guan＞ which carried out the poetry of Wang Wei’s poem. Among them, Li Gong Lin, a famous painter of Northern Sung Dynasty, has the greatest influence. His paintings influenced others to follow and continue for painting the poem, and inspired more than twenty poets such as Su Shi, Su Zhe, Huang Tingjian and others with their passion and talents to write more than thirty poems entitled ”Painting of Yang Guan” as well. The transitions from Wang Wei's ”A Farewell Poem to Yuan Er” to paintings named ”Painting of Yang Guan” and then back to poems called ”Painting of Yang Guan” represent circular process, which works in this way-”creative writings, spread and communication, acceptance and creative writings.”