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篇名
Irish and Ukrainian Famines: Literary Images, Historical Memory and Aesthetic Emotions
並列篇名
Irish and Ukrainian Famines: Literary Images, Historical Memory and Aesthetic Emotions
作者 Oksana Weretiuk (Oksana Weretiuk)
英文摘要
The following essay examines how literary images can transmit the historical memories and aesthetic emotions related to the famine experience of the people of both Ukraine and Ireland, as illustrated in five contemporary novels: Ulas Samchuk’s Maria: A Chronicle of a Life (1934); Vasyl Barka’s The Yellow Prince ( 1963); Yevhen Hutsalo’s Holodomor (1990); Mary Pat Kelly’s Galway Bay (2009); and Alexander J. Motyl’s Sweet Snow:A Novel of the Ukrainian Famine of 1933 (2013). The selected novels show that famine fiction may be an instrument contributing to the memorialization of national identity, for these literary works describe similar emotional reactions to state-induced famines, and all have powerful moral and emotional functions. The famine fiction here discussed, relating to the Irish An Gorta Mór and the Ukrainian Holodomor, fulfills the purpose of catharsis.
起訖頁 51-68
關鍵詞 An Gorta MórHolodomorliterary imagecontemporary famine fictionhistorical memoryaesthetic emotions
刊名 文山評論:文學與文化  
期數 201706 (10:2期)
出版單位 國立政治大學英國語文學系
該期刊-上一篇 Forced Belonging: The Indictment of Colonization in Australia in the Poetry of Romaine Moreton and Alf Taylor
該期刊-下一篇 The “heavie writ of outlawry”: Community and the Transformation of Popular Culture from Early Modern Customary Drama to Anthony Munday’s Robin Hood Plays
 

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