顫慄之歌 －－趙滋蕃小說《半下流社會》與《重生島》 的流放主題與離散書寫

Song of Terror— Theme of Exile and Diaspora in Zhao Zi-fan's Half-Low Society and Chong-sheng Island

本文建立在流放與離散書寫的理論上，探討趙滋蕃小說的生命哲學小說 美學，從反流放、反離散的角度說明其反叛性與現代性；並將「絕醜」與「顫 慄」視為其美學之核心，以呼應班雅明之「震驚」的現代否定的美學。並說 明作者的小說乃融合中西美學之成果。

Basing on theories of exile and diaspora, this article investigates Zhao zi-fan's novels to reveal Zhao's philosophy of life and the aesthetics of the novel. It takes anti-exile and anti-diaspora perspective to look at Zhao's rebellious modernity. At the core of Zhao's writings is the experience of “terror,” which corresponds to Walter Benjamin's “shock,” as he elaborates in his modernist negative aesthetics. Zhao’s novels demonstrate an effective fusion of East-West aesthetics.