英文摘要 |
Written in the form of a quest novel with mysterious and paradoxical traits, TheBlack Book is widely categorized as “postmodern fiction.” However, unlike mostpostmodern novels which thwart every attempt to search for meaning and self-knowledge,The Black Book does not dismiss the protagonist’s detection as a total failure. In thesearch for his disappeared wife and cousin Celal, Galip, the protagonist, rereads theold columns and at the end of the story he retells the ancient tales. In his rereading andretelling of the story he becomes someone else, and in his becoming someone else hefinds a way to be himself. Taking Gilles Deleuze’s notions of repetition and apprenticeship,in this paper I argue that repetition in this story is not simply a postmoderndevice to confuse readers or to create illusionary effects, but a thread weaving Galip’sapprenticeship, that is, a continuous process of learning. In Deleuze’s sense, repetitionmust be understood in terms of relation, and The Black Book illustrates exactly howrepetition signifies relations between individuals. In repeating Celal’s every step,Galip transforms and changes himself, and each change actualizes a relation betweenthe knowing subject and the known individual. |