論洛陽新發現漢代「神人與伏羲女媧」壁畫磚

A research on the new discovery ＂the man of God and Fuxi and Nuwa＂ Han Dynasty mural brick in Luoyang

本文針對中國農業博物館2008 年7 月於河南偃師邙山徵集到的一塊壁畫空心磚進行研究，這塊空心磚中間的圖像被研究者認為是「方相氏與羲和常羲擎日月圖」，本文則提出不同的意見，認為這塊空心磚中間的圖像是「神人與伏羲女媧圖」。漢代畫像石與壁畫中有許多與偃師邙山「神人與伏羲女媧圖」類似構圖的圖像，其特點就是位於中間的神人用雙手或肢體勾攬二人首蛇身神的蛇尾，二人首蛇身神的蛇尾或相交，或不相交。本文同樣認為這兩個人首蛇身神是伏羲與女媧，而非羲和與常羲；至於中間的神人，不論其形貌有何變異，應都是民間信仰的至上神、高禖神與方相氏，並具有統御陰陽、生殖繁育、吉祥鎮墓的多元職能。

In this paper, Aiming at China Agricultural Museum collection to study a mural hollow brick of Han Dynasty in Yanshi Mangshan at July 2008, hollow brick in the middle of this image is the researchers considered ＂Fang Xiangshi with Xiho and Changxi, Sun and the Moon Figure ＂ This paper puts forward different views, that the middle of the hollow brick image is ＂God Man with FuXi and NuWa diagram.＂ Han stone and murals in many of Yanshi Mangshan ＂God Man with FuXi and NuWa diagram＂ similar to the composition of the image, which is characterized by the middle of the man in the middle with both hands or limbs, Snake tail, two people first snake body of the snake tail or intersection, or do not intersect. This paper also holds that the two gods are the gods of Fuxi and NuWa, but not Xiho and ChangXi. As for the man of God in the middle, regardless of their morphological variations, should be the supreme god of folk beliefs, God and Fang Xiang, and has the yin and yang, reproductive breeding, auspicious town tomb of the multiple functions.