英文摘要 |
This paper seeks to explore late modernism in Samuel Beckett's first radio play All That Fall (1956) by examining its textual affinities to James Joyce's A Portrait of the Artist as a Young Man (1916). I will address the thematic issue of modernist epiphany by working through the elements of fall and loss in both texts, and determine that Beckett's work can be profitably regarded as late modernist-a distinctive style that grows out of and goes beyond modernism. Applying literary-periodizing terms to Beckett's work is a prevalent trend, and the concepts of modernism and postmodernism dominate Beckett studies; however, this practice is hardly ever directed at his radio drama. I shall therefore seek a way beyond that binary impasse by working with the newer notion of "late modernism" in relation to Beckett's All That Fall, and propose a limited model to reassess the Joyce-Beckett relationship through to Beckett's practice of rewriting Joycean elements. I seek to examine the double functions of late modernism that both succeed and transform modernism based on an examination of the Joyce-Beckett relationship and then explore how Beckett's radio play is in crucial respects indebted to as well as a departure from Joyce's A Portrait of the Artist as a Young Man. |