絈菈奇（齊）觀：「蜘蛛女劇場」《日、月及羽翎》的絈菈敘事

Synchronic Spectaculum: Mola Narrative in Spiderwoman Theater 'Sun, Moon and Feather'

本文以蜘蛛女劇場作品之一的《日、月及羽翎》（Sun, Moon and Feather）為主要文本，透過巴拿馬原住民庫那（Kuna）族的絈菈（mola）拼布為啟發，思考此種特殊拼布拼織與蜘蛛女劇場（Spiderwoman Theater，同樣具有庫那血統）故事編織的可能流動與共振。論文研究絈菈拼布的主要特色，即反向拼布之作法，進一步論述絈菈拼製與故事編織、甚至文明進程與庫那文化表徵之間的可能交相織理；其次根據絈菈拼布所蘊含的寓意與生命動能，本文討論並認為《日、月及羽翎》的情節編排、多觀點呈現、與多媒體展演可與絈菈拼織共構出多方和諧的舞台奇／齊觀。

Inspired by the tribal quilt, mola, in Kuna, Panama, this paper contemplates the possible inter-playing between mola quilting and Spiderwoman Theater's story weaving by means of a study of one of Spiderwoman Theater's plays, Sun, Moon and Feather. This paper, firstly, examines the construction of mola with the focus on its special technique, reverse appliqué. It then analyzes the inter-weaving among reverse appliqué, the indigenes' story weaving and the progress of civilization. It argues, in light of the understanding of the reverse appliqué and its implicit vitality of mola, the plot arrangement, multiple perspectives and multi-media arrangement on stage in Sun, Moon and Feather have co-constructed a spectacular/synchronic stage.