英文摘要 |
The 'creature' in Mary Shelley's Frankenstein is named as a 'monster' by its creator, Frankenstein, at the very moment of its reanimation. Not only its creator calls it a 吋monster,' but also all the characters in the novel (except old De Lacey). Although these people regard it as monster and punish it with different means, the only excuse they hold is that - it is hideous. They do not attempt to give any convincing reasons beyond this. This essay attempts to argue that the ''unspeakable' facts are the reason why people regard it as a 'monster' without any hesitation. As the people all call it a monster at first sight by judging it with visual codes, it is the monster's body that matters. Employing Judith Butler's theory to decipher its body construction, it is able to discover that the 'creature' trespasses the dichotomized sex/gender codes; therefore, people police the social norm by calling it a 'monster.' The 'creature's' experience exposes the frailty of the dichotomy in sex/gender. |