分裂分析傅柯：布置作為思想──影像與考古──系譜學對偶

Schizo-Analysis of Michel Foucault: ＂Dispositif＂ as an Image-Thought ＂Et Archae＂-Genealogical Doublet

本文討論布置作為傅柯的思想──影像如何構成一種風格化的思想運動。透過布置研究，傅柯哲學似乎等同於一種歷史不連續軸線上的人類學研究，其凝視的較不是不同地域的人種或族群，而是考古學地以某一知識型為前提、共時存在於特定時代中的人類存有，且更進一步的，此歷史存有模式系譜學地作為現前的外部性，思想繞經此外部性折返自身且批判性地再建構我們自身。現代人在這種繞經過去並再建構現前的考古學──系譜學巨大折返中，成為總是由外部性（時間軸線上的歷史實證性與域外思想的非思）所共構並因此自我更動自我與自我轉型自我的存有。

As research via the dispositif, the philosophy of Michel Foucault is a kind of anthropology on the discontinued line of history, which works archaeologically in the mode of being at a time determined by an episteme; but genealogically, the historical mode of being is regarded as the exteriority of the present. The thought turns back on itself through the past and constitutes in itself a critical ontology of ourselves. Modern man, in this archae-genealogical ＂fold＂ becomes a being that is transformed by the externality.