英文摘要 |
This paper analyzes several Taiwan science fiction texts, focusing on their build up of a post-holocaust, fantasmatic landscape and on the transgender writing emergent from these novels and stories. The first part deals with two classic short stories, "In the Year 2300, A Wasted Land" and "Love Until the City Comes Tumbling Down," which hypothesize a historical negotiation contextualized by a Benjamin-esque, allegorical past, and the struggle between this symbolic network and the Lacanian Real. The second part is a re-reading of a renowned Taiwan space opera series ("Dragon of Temporality, Saga of the Twin Stars"), focusing on its characterization on the Big Other, embodied as a corporeal cosmic eye by which a variety of different subject-positions are empowered or enslaved. The final part is a close textual analysis of a science fantasy with cyberpunk voice, "A Sunflower in Underworld". In this part, I conduct an exchange among cyborg discourse, transgender politics, theories of queer masculinity by Judith Halberstam and Jay Prosser to formulate a theorization about this text’s trans-butch characters, arguing for their transgressive bodily modification and the "monstrous" aesthetics they incarnate in a posthuman, near-future hybrid metropolitan. |