〈永遠的尹雪艷〉時空美學探析

The Analysis of Eternal Snow Beauty on the Aspect of Time and Space Aesthetics

時空美學，就是時間和空間的審美化，而抽象和枯燥的時間與空間之所以能 夠審美化，主要就是因為詩人將其賦予自己的情感。時空美學主要可以分為時間 意識、空間意識、時空交融三個部分，其中蘊含複雜的歷史淵源與哲學淵源，而 這也是中國文人很常使用的手法，此手法從古詩一路衍生，直到今日的現代小 說，都可以看出其脈絡。本文即是以時空美學為鑑賞態度，並將「時間」與「空間」分開說明，最後再以「時空交融」的美學結構，剖析白先勇〈永遠的尹雪艷〉中的藝術手法。並希望能夠藉此為〈永遠的尹雪艷〉的研究開啟另一種視野。

Time and space aesthetics is the principles of the beauty in time and space. Poets give feeling and imagination to describe dull space and plain time to make them more beautiful. Time and space aesthetics can be divided into three different categories: time aesthetic awareness, space awareness, and the mixture of time and space. Each category is strongly influenced by Chinese history and philosophy. It is also a common way of writing among Chinese writers developed all the way from the time of Nineteen Old Poems to the contemporary Chinese fictions. This study used Time and space Aesthetics as a means to discuss the writing techniques in Eternal Snow Beauty by Pai Hsien-yung. The discussion started with the analysis of time and space aesthetics respectively and then came to the part of the mixture of time and space. The study attempts to discover more new perspectives for appreciation on Eternal Snow Beauty.