美濃客家八音藝術特色及其演變

The Artistic Characteristics and Evolution of Hakka Ba-Yin in Meinung

文化景觀為人類與自然環境互動過程中所創作的景觀，傳統農村聚落景觀結合了在地住民的生產及生活方式，成就了地方獨有的自然生態群落與風貌。本文主要以美濃客家八音樂手為對象，探討藝師與村落環境的互動關係，研究課題將著重於討論美濃八音演奏形式、場域安排、樂種形態、曲牌分類及作場環境變遷等。透過客家八音與人類行為、技術、儀式及事件空間點的描述，由深描詮釋的方法論來發展文本脈絡，把其透過八音藝術影響至人眼地方之間的關聯性具體進行描述。研究結果顯示，客家八音文化景觀是由一個或多重的文他主體，透過身體參與、生活實踐及記憶情感的積累，來詮釋景觀意義，並形塑景觀認同關係過程的展現。

Cultural landscape is created during the process of interaction between human and the natural environment. The landscape of traditional rural settlement, combined with local resident's life style, becomes a unique local enological community. This research based on the Hakka Ba-Yin musician in Meinong mainly discusses the interactive relationship between the artists and the settlement environment. The research focuses on the performance practice of Meinong Hakka Ba-Yin, field arrangements, morphology of music, chupai classification and the changes in the field environment. The article is structured by using thick description and interpretation to discuss the Hakka Ba-Yin, human behavior, technology, ceremony and events. Moreover, the influence of the Hakka Ba-Yin on human and local environment is thoroughly discussed. The conclusion shows that the development of the Hakka Ba-Yin cultural landscape is accumulated by participations, life experiences and emotional memory. Also, the Hakka Ba-Yin cultural landscape is to interpret the culture meaning of Hakka and to rebuild the cultural identity.