英文摘要 |
Cai Chen 蔡沈 (1167-1230) finished his Shujizhuan 書集傳 following the wish of his teacher Zhu Xi 朱熹 (1130-1200). This book became a designated textbook for the civil service examinations, and was very influential during the Ming and Qing dynasties as a representative work of the so-called “Song learning” (Song xue). In contrast to Cai’s, Wang Mingsheng’s 王鳴盛 (1722-1797) Shangshuhou’an 尚書後案, written in order to illustrate ZhengXuan’s 鄭玄 (127-200) teachings, is a representation of “Han learning”(Han xue). The opposition between the Han and Song learning was a critical issue in the academia of the Qing dynasty, and has become a significant topic for modern scholars. The Yaodian chapter from the Shangshu typically represents the image of the sage (shengren 聖人), and became an idol for later generations. In this article, I discuss the difference of the Han and Song learning by comparing Cai Chen’s and Wang Mingshen’s portrayals of the sages through their annotations on Yaodian 堯典.Based on their works, I find that the difference between the Han and Song learning involves the close definitions of concept and methodology. The difference helps us to better understand the complex issue of the Han-Song learning. |