英文摘要 |
Through the semantic differential experiment, the authors explored the whole series of product styles of Olympus digital cameras in the market from 1994 to 2005. Sixty subjects were invited for the evaluation of product styles of Olympus digital camera design from which the perceptual data were analyzed quantitatively so as to investigate the relationships between image styles and product form features. Based on the distribution patterns of three principal components, all series of Olympus digital cameras can be divided into four major series: A (the generation series), B (the redesign series), C (the common module with varying patterns), and D (the concept series). Moreover, the relative importance of design factors (the design properties of digital camera design) as well as the utilities of design factor levels to three principal components were verified through quantification type I analysis (a multiple regression analysis).The form features of different series of Olympus digital cameras were contrasted and compared. The results demonstrate that among four series of Olympus digital camera design, the consumer will focus more on the pattern and shape of lens, power switches and holdability design along the professional factor. Along the rational factor, more emphasis should be placed on the holdability design, the total form, power switches, and lens. In addition, the distribution of digital camera on the potency factor indicates that the lens, the total image, and switches will draw more attraction. Through such quantitative analyses, designers can clarify the key properties of different series of products. By doing so, an enterprise can choose its market positions and manipulate its product form styles to catch the consumer's eyes in the competitive market. |