英文摘要 |
First published in Shanghai during the late Qing dynasty, the Dianshizhai Pictorial has been regarded as a pivotal visual shift in Chinese press history. This study aims to analyze the paper's depictions of Southern Chinese ethnic 'others' from over four thousand illustrations during its decade-long publication. The release of the Dianshizhai Pictorial established Shanghai as a fast-changing metropolitan with a newfound demand for news efficiency and visual effectiveness. Under such circumstances, the understanding of Southern ethnic 'others' transformed from oral traditions, historical records, and Miao-Man portraits to easily accessible illustrations that fostered a common perception amongst its readers. The first purpose of this study is to investigate how the Southern Chinese ethnic 'others' came to be assigned negative stereotypes such as being animal-like and uncivilized, while the second goal is to investigate the impact of Dianshizhai Pictorial on public perception regarding the conquest and pacification of the Yao of Guangdong and Taiwanese aborigines. From detailed analysis of both texts and pictures, this study shows how late 19th-century mass media visual representations affected traditionally timeless views of Southern Chinese ethnic 'others' amidst a rapidly changing society during an era of state conquest and Sino-Japanese empire conflicts. |