異質形象的越界動作－－以廖堉安的鳥人自畫像為例

The Trans-Disciplinary Movement Of Heterogeneous Images - Yu-An Liao's Bird Men Self-Portrait

本文以廖堉安的作品為例，旨在探討創作者與作品圖像之間的雙向關係。研究集中在四個議題，包括創作者與自畫像；創作過程的時空掌握；作品內部的動力論以及形象創作與根源。內容則從創作者與自畫像的關係談起，闡述作品圖像與創作者在圖像轉換中的替代關係；以創作者在創作過程中，對時間與空間的掌握所形成的畫面自主性表達；討論作品內部的他者形象，以及圖像間所形成的共鳴效應的動力論；探討作品形象源自於卡漫動畫，與擬仿手法對創作表現的影響。最後，歸納出廖堉安的創作是有別於傳統寫實的再現手法，而以創作過程的決定論，展現個人所處的環境。並依此建構另一種觀看社會的視野。這種源、自創作內部的轉化，可視為廖堉安在同世代創作中最具特殊性之處。

In this paper, I will take Yu-an Liao's works as an example. It intends to discus s about the bilateral relationship between creator and the image of his works. The research focus on four subjects, it includes: Author and his self-portrait. The author's control of time and space during the process of creation. The work includes an argument of internal dynamism and image's creation and the sources of creation. This contain of article if focusing on the relationship between creator and his self-portrait. And to talk about the image of art work's and the substitution which give place from the creator to the images. The creator in the creative process the control of, time and space to formed the autonomic expression of art work. Discuss about internal figures of alterity in the art works, and the dynamism of resonance generated among images. Investigate the art works' original images come from cartoon, and way of creation from simulacra that influence the manifestations of art works. In the end, to make a conclusion about Yu-an Liao's works which different from traditional ways of representation in Realism. e applied determinism of process creative and to manifest his life and environment where he lives. And according to this point of view to establish another vision of gazing the society. It is such transformation generated from internal point of creation most particular character of the artist and, it's the difference between Yu-an Liao's works as the artworks of other artists of his generation.