英文摘要 |
Michel Foucault’s Histoire de la folie a l’age classique is widely regarded as a seminal work in the history of madness. However it was also Foucault’s most controversial book. Foucault’s research method and use of historical materials in the book have received close scrutiny and rigorous criticism from historians. There have been few discussions, however, of the main historiographical claim of Histoire de La folie , viz. it is intended as a history of madness rather than a history of psychiatry. Foucault wanted to explore the experience of madness which, he argued, has been excluded by Reason since the ’classical age.’ The most famous criticism of Foucault’s claim is by the philosopher Jacques Derrida who argues that writing the history of madness is an impossible project. Commenting on the debate between Foucault and Derrida, on the other hand, the historian Carlo Ginzburg dismisses Derrida’s criticism as shallow and nihilistic. He regrets that Foucault, probably spurred by Derrida’s criticism, had abandoned the important project of writing the hi story of the excluded, and had since focused on the history of the acts of exclusion instead. Ginzburg has devoted his efforts on writing the history of the persecuted such as witches, werewolves, and heretics. He and his colleagues in the so-called school of microhistory have formulated an alternative project of writing the history of the excluded. In this paper I examine the debate between Foucault, Derrida and Ginzburg and discuss its historiographical significance. |