|
中外文學
CHUNG WAI LITERARY QUARTERLY |
|
|
| 202303 (52:1期)期所有篇 |
- 弁言：從英倫哥德走向全球怪奇 Introduction: From the British Gothic to the Global Strange
- 「花精真的存在嗎？」從巴拉德的「能動的實在論」看邱常婷《新神》中的悲苦人物如何遇見 “Does the Flower Sprite Really Exist?” Reading the Sufferers’ Encounters with Gods in Chang-ting Chiu’s The Emerging Gods from the Perspective of Karen Barad’s Agential Realism
- 革命性的恐怖：早期華語恐怖片《夜半歌聲》左翼化的怪人敘事與聲音運用 The Revolutionary Horror: The Leftist Monster Narrative and the Sound-Effect Practices in the Early Chinese Horror Film Song at Midnight
- 《鬼滅之刃》中的技術政治與共生願景 The Politics of Technics and the Prospect of Coexistence in Demon Slayer: Kimetsu no Yaiba
- 截出的一首：從「截句運動」觀察文學社群之世代對壘 Truncated Verses and Generation Variance: Contestation of the Jieju Movement in Taiwan
- 他者與自我：對讀木心與博爾赫斯 The Other and the Self: A Comparative Reading of Mu Xin and Jorge Luis Borges
- 戰爭新娘、纏捲、共生：尾關《天生萬物》的亞美農業書寫 War Bride, Entanglements, and Symbiosis: Ruth Ozeki’s All Over Creation and Asian American Agrarian Writing
|
|
|
新書閱讀
最新影音
優惠活動
|
