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中外文學 CHUNG WAI LITERARY QUARTERLY |
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201909 (48:3期)期所有篇 |
- 文本裡有蹦蹦戲花旦嗎? Is There a Dan of Ping Opera in the Text?
- 戲劇性與周圍操演性:詹姆斯《仕女圖》的恥感形式與個人主義辯證 Theatricality and Periperformativity: The Aesthetic Form of Shame in Henry James's The Portrait of a Lady and Its Dialectic of Individualism
- 文學敘事與人權想像:移民工文學獎 Literature and Human Rights Imagination: Taiwan Literature Awards for Migrants
- 當代愛滋社群政略之悖論:《叛徒馬密可能的回憶錄》之戲劇批判戰術 Paradox of Contemporary AIDS Community Politics: The Theatrical Critique and Tactics in The Possible Memoirs of a Traitor
- 家園的永恆回歸:奧威尼‧卡勒盛的風災書寫與社會韌性建構 Regenerating “Home” between Auvinni Kadreseng's Writing of Storm Damage and the Construction of Social Resilience
- 境界的追求與再生:柯慶明的學問世界──專輯導言 Preface–The Pursuit and Revival of Attainment: Ko Ching-Ming's Scholarship
- 文論與美學之間:柯慶明教授的古典文學研究述評 Between Literary Theory and Aesthetics: A Review of Professor Ko Ching-Ming's Study on Classical Literature
- 博約自造、和而不同:柯慶明先生與抒情傳統論 Concise and Extraordinary: Ko Ching-Ming's Statement on Lyrical Tradition
- 柯慶明的台灣現代主義及現代小說研究 The Study of Taiwanese Modernism and Modern Fictions of Ko Ching-Ming
- 貫串與旁通:柯慶明的現代詩論述 Coherence and Stretch: Ko Ching-Ming on Modern Poetry
- 阿川2017:多歧異行 ArTrend 2017: Multiversity in Practice
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