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同心圓：文學與文化研究
200401 (30:1期)
同心圓：文學與文化研究
Concentric: Literary and Cultural Studies
200401 (30:1期)期所有篇
Becoming Mole(cular), Becoming Noise: Serres and Deleuze in Kafka’s ＂Burrow＂
Disease, Empire, and (Alter) Native Medicine in Louise Erdrich’s ＂Tracks＂ and Winona LaDuke’s ＂Last Standing Woman＂
Hysteria, the Medical Hypothesis, and the ＂Polymorphous Techniques of Power＂: A Foucauldian Reading of Edward Jorden’s ＂A Briefe Discourse of a Disease Called the Suffocation of the Mother＂
Eating, Cleaning, and Writing: Female Abjection and Subjectivity in Margaret Atwood’s ＂The Blind Assassin＂
The Aporia of Time in Graham Swift’s ＂Waterland＂
Imagining the Mother/Motherland: Karen Tei Yamashita’s ＂Tropic of Orange＂ and Theresa Hak Kyung Cha’s ＂Dictee＂
Style as the Man: The Aesthetics of Self-(Re)construction in Pater, Wilde, and Yeats
Walter Pater, the Stephens and Virginia Woolf's Mysticism
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