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臺大文史哲學報
Humanitas Taiwanica |
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| 201411 (81期)期所有篇 |
- 從文類觀點與撰作時機論司馬遷〈報任安書〉的表述特性 Discussing the Expression Characteristics of Sima Qian’s “A Letter to Ren An” from the Views of Genre and the Timing of the Writing
- 從〈神女賦〉到〈洛神賦〉――女神書寫的創造、模擬與轉化 From “Fu on the Goddess” to “Luo River Goddess”: the Creation, Mimesis and Transformation of the Goddess in Writing
- 論古琴音樂中同曲異名的歧義性及其詮釋――以《良宵引》、《秋塞吟》、《悵悵辭》三組作品為例 A Discussion of Different Titles with Similar Musical Content in the Qin Repertoire, Its Ambiguity and Interpretation: An Analysis of Group Works Liang Xiao Yin, Qiu Sai Yin and Chang Chang Ci
- 臺灣哲學盜火者――洪耀勳的本土哲學建構與戰後貢獻 The Prometheus of Formosan Philosophy: Hung Yao-hsün’s Ontological Construction and Contribution
- 真實與謀劃的游移――莎拉‧華特斯《荊棘之城》的身體扮演與階級想像 Between Reality and Contrivance: Body Performance and Class Imagination in Sarah Waters’ Fingersmith
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