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文化研究
Router：A Journal of Cultural Studies |
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| 202210 (35期)期所有篇 |
- 唱造社群──編輯室報告 Editorial: Community-Making in Singing
- 專題導言音樂的躁動：何為音樂，音樂為何 Music moves (part 1): An introduction
- 彌勒世之歌導言 A Preface to The Poem of Mirukuyu
- 彌勒世之歌 The Poem of Mirukuyu
- 酷兒的聲音：唱造香港異議空間 Queer Resistance in Popular Music: The Making of Dissident Voice in Hong Kong
- 在創作與抗爭之間：論香港反修例運動之中的新唱作世代 Creative Dissent in Protest: Young Singer-songwriters in the Anti-ELAB Movement in Hong Kong
- 「打口」：物質性、基礎設施與亞文化想像 Cut-out: Materiality, Infrastructure, and Subcultural Imaginary
- 初探中國嘻哈／饒舌樂的歷史脈絡：華黑場域、方言饒舌、與主流官方熱潮的「真誠以對」 The Historical Context of China Hip Hop/Rap: Chinese Black Field, Dialect Rap, and“Keepin’it Real”Construction by the Mainstream/Official Upsurge
- 再會無名樂人：兩位小鎮高齡爵士樂手的青春音樂路徑 Ordinary Musicians: The Musical Paths of Two Ageing Jazz Musicians from Small Towns in Taiwan
- 重探臺灣搖滾樂場景中「樂手世界」的建制化：樂器行、校園社團、熱音賽與職業慣例(1980-1999) Revisiting the Institutionalization of Musicians’World in Taiwan’s Rock Scene: Music Shops, School Extracurricular Clubs, Band Contests, and Professional Conventions, 1980-1999
- 冷戰下的音樂記憶和「精神武器」：《今日世界》(1952-1973)作為政治與西方古典音樂的「介中空間」 Cold War Musical Memories and“Psychological Weapons”: World Today (1952–1973) as the“Liminal Space”between Politics and Western Classical Music
- 全球流動的工藝技術：以電吉他製琴產業及製琴師為例 The Global Mobility of the Craft: A Case Study of the Electric Guitar-making Industry and Its Luthiers
- 「我們不碎」：周耀輝歌詞班的社群實踐 Creativity, Pedagogy, Community: Chow Yiu Fai’s Lyrics Writing Course
- 躁動的舞曲 The Sweet Unrest of Dance
- 臺灣與香港製造：本土與在地的視角 Made in Taiwan and Hong Kong: Indigenous and Local Perspectives
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