| 篇名 |
論辭章之聯貫―以多、二、一（0）螺旋結構切入作考察 |
| 並列篇名 |
The Coherence of A Literary Work-From the Perspective of the “Multiple, Binary and Unitary (zero)” Spiral Structure |
| 作者 |
陳滿銘 |
| 中文摘要 |
一篇辭章是由「意」（情、理）與「象」（事、物﹝景﹞）融鑄而成的。其中不僅「意」與「象」本身形成「二元對待」，即「意」與「意」或「象」與「象」之間，也形成「二元對待」。就在這「二元」之間，往往是要加以聯貫的，而其整體（即全篇之情、理與事、物﹝景﹞），更要藉「層次邏輯系統」或「多」、「二」、「一（0）」螺旋結構，以形成其嚴密組織。以此切入探討辭章聯貫，約可分為兩種類型：一是有形的，用詞、句、節、段作上下意象之接榫，稱基本聯貫；一是無形的，藉個別意象作為局部之呼應，或以邏輯逐層形成整體之結構，稱藝術聯貫。辭章有此無形與有形之兩大聯貫類型，自然能將個別意象串聯成整體意象，以有效凸顯一篇之主旨、風格或美感。 |
| 英文摘要 |
A literary work consists of four elements: sentiment， reason， object (view) and matter. Sentiment and reason infer “concept”， and view as well as matter infer “form”. There exists a dualism between and within concepts and forms. And such a dualism needs to cohere all of the elements to form a rigid organization， by means of a “gradation logic system” or a “multiple， binary and unitary (zero) spiral structure”. There are two types of coherence in a literary work. One is visible; i.e. the arrangement of wording， sentences and paragraphs that links up concepts and forms. The other is invisible; i.e. the respondence to a specific image and the gradation of logic to integrate a whole structure. These types of coherences could highlight the motif， style and esthetics of a literary work. |
| 起訖頁 |
29-56 |
| 關鍵詞 |
辭章、「『多』、『二』、『一（0）』」螺旋結構、意象、詞彙、文法、修辭、章法、主旨、風格、literary works、the “multiple, binary, and unitary (zero)” spiral structure、image、vocabulary、grammar、rhetoric、the organization of writing、theme、style |
| 刊名 |
師大學報：語言與文學類 |
| 出版單位 |
國立臺灣師範大學
|
| 期數 |
201003 (55:1期) |
| DOI |
10.3966/207451922010035501002 複製DOI DOI申請 |
| QRCode |
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