本研究探討台灣早期建築攝影師張敬德（1917-2007）之影像風格，並分析其作品中獨特的脈絡特色與異質文化視域。自攝影術誕生以來，建築因其無法移動的特性成為重要的拍攝對象，人們得以透過影像認識未曾親臨的建築空間。然而，不同文化觀點的介入，也影響了觀看甚至拍攝建築的方式。本研究以1960至1980年代台灣著名建築攝影師張敬德為探討對象，並輔以同時期西方建築攝影主流風格作為參照背景，以凸顯其影像之文化轉譯特質。研究方法包括歷史脈絡分析與圖像分析法，前者用以探討攝影師之作品背景及文化視域差異，後者則藉由影像中構成元素之分析，確認攝影風格差異所反映之建築文化觀點。長久以來，建築文化的實踐與傳播皆高度依賴影像媒介。透過張敬德作品與同時期國際建築攝影風格之對照，能觀察到技術條件、社會背景與攝影師主觀意識如何深刻影響影像的呈現方式，進一步形塑觀者對建築空間的理解與想像。

This study investigates the visual style of early Taiwanese architectural photographer Chin-Te Chang (1917–2007), analyzing the contextual characteristics and culturally hybrid perspectives embedded in his work. Since the invention of photography, architecture has become a major subject precisely because of its immobility, enabling viewers to experience built environments through images. However, ways of seeing and photographing architecture have been profoundly shaped by cultural perspectives. Focusing on Chang’s work from the 1960s to the 1980s, this research adopts the mainstream style of Western architectural photography from the same period as a comparative reference to highlight the culturally translational qualities of Chang’s images. The research methods include historical-contextual analysis and visual analysis: the former investigates the photographers’ working backgrounds and differences in cultural horizons, while the latter examines image composition to reveal how stylistic differences convey architectural and cultural meanings. As architectural culture has long relied on photography for its dissemination and representation, this study explores how technical conditions, social contexts, and the photographer’s subjectivity collectively shaped the visual articulation of architecture. By placing Chang’s photography in dialogue with international trends, the research aims to advances the understanding of how architectural space is perceived, mediated, and imagined.