| 英文摘要 |
The corrosion products of copper artifacts form in various compositions. For example, the light green and powdery copper chloride excrescences on copper or copper alloy objects are the malignant corrosion products. When cuprous chloride reacts to moisture, it forms hydrochloric acid. The acid then reacts again with the copper itself producing more cuprous chloride which is a cyclical reaction leading the object to powdering. This phenomenon is also well-known as‘Bronze Disease,’which has been extensively researched. Another corrosion product of copper that could be found on the surface of Statue of Liberty is benign corrosion-- copper carbonates. This kind of rust will protect the statue from further corrosion. However, the‘Black Spot Disease’discussed in this research is seldom mentioned in the literature on the conservation of metallic artifacts in Taiwan. The defining character of Black Spot Disease, as its name suggests, is the formation of numerous dark spots on copper-based objects. Most of the museums equip the environmental control system to maintain the temperature and humidity and also monitor and filter the harmful gases. In contrast, the two cases-- Dragon and Metamorphosis by Kuang- Yu LEE-- studied in this research are private collections and were stored in a domestic environment lacking sophisticated environmental control systems typically found in museums. Combined with the aging of the original protective coating, these artworks have come into contact with sulfides in the air, leading to the onset of black spot disease. This paper is a case study of the conservation of these two artworks. Firstly, the artworks undergo scientific analysis not only to investigate the materials used by the artist but also to identify the degradation in the original coating materials. The black substance formed on the surface is examined at the same time, confirming it as copper sulfide and indicating that the artworks are afflicted with black spot disease. Although Black Spot Disease is relatively stable compared to Bronze Disease, it still impacts the appearance of the artwork, the viewing experience of the audience, and the intent of the artist. Due to the aesthetic value of the artworks, the conservation treatment-- removal of the black spots is conducted. The paper summarizes the steps and materials for mechanical and chemical cleaning, corrosion inhibition, and protective coating, and devises suitable treatment proposals. It also details the implementation process in order to provide guidance for future conservators facing similar situations. |