極簡藝術中的物件與初級結構

Objects and Primary Structures in Minimal Art

本文旨在探討極簡主義藝術的特徵與歷史環境，分析《初級結構》展覽的意義，對博物館佔據新興藝術風格話語權的目的及回溯展覽而進行展覽行為的論述。提示物件與結構對極簡藝術中「三維作品」的意義，以及對「初級結構」延伸的其他想像，結合在場與時間性分析觀眾在藝術創作中的位置。

This paper discusses the characteristics and historical context of minimalist style by analyzing the significance of the exhibition“Primary Structures”, and the cultural imaginations it triggers. This paper argues the purpose of museum’s control over how emerging art style and retrospective exhibition of“Other Primary Structures”should be discussed. It also points out the significance of objects and structures in“three-dimensional works”within the context of minimalism, as well as the importance of the presence of, and the time spent by, audience in artistic creation.