「例外狀態」：從物質到諸眾——雕塑媒介變遷的模糊狀態

'Stato di Eccezione'': from the Material to Multitudo–The Fuzzy State of the Sculpture Medium Change

自現代主義以來對雕塑邊界的探討越來越僭越傳統，以至於在討論雕塑的概念時，總是被一些作品的特殊狀況所羈絆。那麼，分析這種特殊狀況的存有學便成為理解當代雕塑的必要路徑。本研究通過對雕塑媒介轉變過程的分析，挪用阿甘本政治哲學概念「例外狀態」，探討從物質性媒材的作品，到做為「諸眾」的藝術，以這個流變過程來說明—當代雕塑「事件」所處的「例外狀態」擴充了雕塑的邊界。

Since modernism, the debates on the boundary of sculpture has become more and more exaggerated, so that when we discuss the concept of sculpture, it is always fettered by the special conditions of some artworks. So, an ontological analysis of this special situation has become a necessary way to understand contemporary sculpture. Through examining the transformation of sculptural media, this research borrows the concept of“Stato di Eccezione”from Giorgio Agamben’s political philosophy to investigate the transition of artwork from its material media to the“art of multitude”. This process illustrates that the contemporary sculpture“Events”situated in“Stato di Eccezione”has expanded the boundary of sculpture.