新媒體音像裝置中燈光與動力機械的造型表現探討——以克里斯托弗．飽德作品為例

A Research on the Expression of Lighting and Kinetic Machinery in New Media Audio-Visual Installation: The Case Study of Christopher Bauder's Artworks

在新媒體藝術中有一擅長使用聲音與視覺影像結合的音像（Audio-visual）創作類型，是經由電腦程式與軟體編寫操控，即時的數據運算讓聲音與影像相互連結，藉以產生多樣的變化。其強調視覺與聽覺的交互共感，形式上不單只是展覽呈現，經常也包含了現場演出的成分。最常見表現手法是將影像以投影覆蓋牆面，製造如同被影像包覆的張力，隨著藝術家透過電腦操控著聲音或是影像，即時變化的聲響音頻與影像畫面，更像是一場即興的表演。在視覺表現上也從即時影像的操控變化，到運用雷射、舞台電腦燈等燈光應用來呈現多元的視覺效果。在本文將以德國藝術家克里斯托弗．飽德（Christopher Bauder）的兩件大型音像裝置〈SKALAR〉與〈DEEP WEB〉為例，來探討其作品中運用燈光與動力機械的造型形塑表現。透過拆解與分析其創作媒材元素，討論所帶來的多感官體驗。

Among the new media arts, there is a genre of audio-visual creation that specializes in the combination of audio and visual expression, manipulated through computer programs and software programming. Real-time data computation allows the interconnection of audio and visual content to produce a variety of variations. It emphasizes the interaction between the visual and auditory senses, and the format is not only an exhibition presentation but often includes live performances as well. The most common way of expression is to cover the wall with video projection to create the tension of being surrounded by images. With the artist controlling the sound or images through the computer, the sound and visual images change in real-time, more like an impromptu performance. The visual performance also changes from real-time image manipulation to the use of laser and stage computer lights to present a variety of visual effects. In this research paper, two large-scale audio-visual installations by German artist Christopher Bauder, SKALAR and DEEP WEB, are used as examples to discuss the use of lighting and kinetic machinery in the shaping of his works. By deconstructing and analyzing the elements of his creative media, this paper discusses the multi-sensory experience brought about by them.