以「展覽論述」之名——「2009關鍵字：日常、雕塑、無處」

In the Name of ''Exhibition Statement''–''2009 Keywords: Everydayness, Sculpture, Non- place''

「2009關鍵字：日常、雕塑、無處」（以下簡稱「關鍵字計畫」）是一個實驗性的藝術計畫，並以所謂「駐地創作模式」為計畫主軸。本文的書寫目的，一方面，可視為作為策展機制參與者簡子傑之於「關鍵字計畫」的概念說明，其亦可權充作為計畫之展覽論述；另一方面，作為實驗性的藝術計畫，重點就不在於給出一個定論，而是展開的一個比較過程，但這個過程總是源於我們的思考模式，最終於藝術實踐中獲得落實，也因此，本文也將試圖聚焦在計畫所指的這些關鍵字與當代雕塑實踐活動之間的關係性質，進一步地，我們還將試著回答「關鍵字計畫」可能將這些思考延展至何處。

“2009 Keywords: Everydayness, Sculpture, Non-place”(it will be called“Keyword Project”for short in the below) is an experimental project, and the main shaft of the project is so called“creation-in-residence model”. The aim of this text, on one hand, it can be regard as the exhibition curatorial mechanism participator, Jian Tzu-Chieh, explains the concept of“Keyword Project”, which can also act temporarily as an exhibition statement; on the other hand, as an experimental project the point is to expand a compared process rather than to sum up a single conclusion. However, the process always origins from our thinking models, and finally fulfill within the artistic practice. Also, the main body of writing will try to focus on the relational properties between the keywords mentioned in the project and contemporary sculpture practicing activities. Moreover, we are trying to answer where the thought may extend by running the“Keyword Project”.