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篇名
藝術進駐內蘊的移動性:全球化後的詮釋轉向
並列篇名
The Essence of Mobility in Artist Residency: Reinterpretation in the Post-Globalization Era
作者 簡子涵
中文摘要
科技技術的進步始終牽動著世界的運轉方式,影響移動的形式、資訊流通的方法、社會關係的建立。以藝術進駐來看,跨域連結、網絡建立、進駐單位的多樣性在全球化後均大幅增長,甚至成為一種城市競爭的操作手法。特別自2019年新冠疫情開始,對實體移動的強制性限制,加上藝術進駐對時空轉換的需求,更是讓相關機構與專業者積極審視移動轉向的必要與可能。如今身處全球化的時代,討論的議題除了執行方法(how),亦需進入更深層的意義探索(why),以避免藝術進駐流於單純的工具價值,失去對藝術家、社區、藝術生態系的影響力與重要性。
因此本研究將透過文獻分析,梳理自全球化後學界與實務界在藝術進駐此一特定領域中,對於移動性的定義與討論。並輔以案例分析,透過實際個案來觀察時空移動的形式轉變,以及該轉變背後關乎藝術進駐之意義與需求的詮釋轉向。
移動本就與科技技術的進展無可分離,又數位的介入與整體社會的網絡形成有強烈的相關性,使得科技的發展賦予當代社會與網絡不可分割的共生關係,建立跨時代的意涵。藉由分析相關資料,本研究勾勒了藝術進駐中移動性的演化進程。以全球化作為分割點,指出全球化前藝術進駐以定點式的身體移動為核心,全球化後則奠基於身體移動的基礎,將移動性擴展為關乎資本、人際、資訊與資源的流動。以藝術進駐為取徑,建構網絡社會中關乎移動性的思考空間。
英文摘要
Technological progress has always influenced the way the world operates, affecting the forms of mobility, methods of information circulation, and the establishment of social relationships. From the perspective of artist residency, cross-domain connections, network establishment, and the diversity of residency units have significantly increased after globalization, even becoming a strategy in urban competition. Particularly, since the onset of the COVID-19 pandemic in 2019, mandatory restrictions on physical mobility coupled with the demand for temporal and spatial transitions in artist residencies have prompted relevant institutions and professionals to actively examine the necessity and feasibility of shifting toward mobility. In the current era of globalization, discussions not only revolve around execution methods (how) but also delve into deeper explorations of meaning (why), aiming to prevent artist residencies from becoming mere tools and losing their impact and significance for artists, communities, and the arts ecosystem.
Therefore, through a literature analysis, this study aimed to review the definitions and discussions of mobility in the specific field of artist residency by academia and practitioners since the era of globalization. This will be supplemented by case studies to observe the transformation of forms of temporal and spatial mobility and the reinterpretation of the meanings and demands related to artist residency behind this change.
The connection between mobility and technological advancements is inseparable, with digital intervention forming a strong correlation with society’s overall network. This interdependence between technological development and contemporary society as well as the network establishes a symbiotic relationship, creating a transcendent meaning across eras. Through the analysis of relevant data, this study outlines the evolutionary process of mobility in the context of artist residency. Using globalization as a dividing point, it indicates that before globalization, artist residency focused on fixed body movement whereas after globalization, it was rooted in the foundation of bodily movement, expanding mobility to encompass the flow of capital, interpersonal connections, information, and resources. Using artist residency as a perspective, it constructs a space for contemplating mobility within a network society.
起訖頁 1-16
關鍵詞 全球化移動性網絡社會藝術進駐globalizationmobilitynetwork societyartist residency
刊名 清華藝術學報  
期數 202412 (6期)
出版單位 國立清華大學藝術學院  
該期刊-下一篇 大展身手做展覽:以策展實踐「展覽識讀」
 

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