大橋訥庵在《周易私斷》中的身影

Ōhashi Totsuan’s Silhouette in Shuekishidan

本文以日本江戶時代後期的尊王攘夷學者大橋訥庵所遺留，並由其弟子並木栗水增補的未竟之作《周易私斷》為研究對象。《周易私斷》全書雖未完成，但反映日本《易》學在江戶時代後期的趨勢，又集結諸多中日儒者說法，具有《易》學史意義。訥庵在解《易》時包含激昂的道德熱情，極重視修養工夫，顯現出運用《易》學思想至攘夷觀念上的作法。但這也顯得其行動和其《周易》解釋之間產生落差，引領我們思考解《易》者與行《易》者應當如何合一的問題。

This article focuses on the unfinished work Shuekishidan周易私斷left behind by the Japanese scholarŌhashi Totsuan, a proponent of the“Sonno joi”尊王攘夷movement during the late Edo period. Although the text is incomplete, it was later supplemented byŌhashi’s student Namiki Rissui and reflects trends in Japanese I Ching studies during the late Edo period. The Shuekishidan also records various Chinese and Japanese Confucian scholars’interpretations and holds significance in the history of I Ching studies. I argue that we can see fervent moral enthusiasm throughŌhashi Totsuan’s interpretations; they not only reveal his views on joi, but they also show a discrepancy between his theoretical approach and his practical action.