趙雲文圖形象的當代流傳

本文嘗試以「文圖學」作為觀察視角，聚焦關注趙雲文圖形象的當代流傳此一課題。並以「少年將軍到七十老將──趙雲年紀與文圖塑形」、「俊美形象與銀槍白馬的當代流傳」兩節分別考論，並提出了些許觀察。在史傳中趙雲的年紀並不明確，小說則是有意將趙雲形象描寫的年輕於關、張，但卻因「年登七十建奇功」的情節，反使得趙雲在小說中的年紀，大於劉、關、張三人。而在文圖形象的接受上，明清繡像小說以降，大抵以「少年將軍」作為趙雲的圖像塑形。而在當代流傳的重要質變，則是由文本中「濃眉大眼，闊面重頤，威風凜凜」、「極其雄壯」的粗獷形象，變為今日的俊美小生。並且也進一步強化了「白袍將軍」與「銀槍白馬」的圖像塑形。

This paper attempts to use“text and image studies”as an observational perspective, focusing on the contemporary dissemination of Zhao Yun’s literary depiction. Zhao Yun’s age is not clearly defined in historical records. hereas in novels, there is a tendency to depict him as younger than Guan Yu and Zhang Fei. However, the plot element of“achieving remarkable feats at the age of seventy”in some cases result in the conclusion that Zhao Yun’s age in the novel is greater than that of Liu Bei, Guan Yu, and Zhang Fei. It is observed that in the reception of literary and pictorial depictions, from the Ming and Qing dynasties onward, Zhao Yun has generally been portrayed as a“young general,”a characteristic representation that persists to this day. This paper also observed that an important qualitative change in the contemporary dissemination of Zhao Yun’s image that he is mostly transform from a rough and brave image to the portrayal of a handsome and refined youth. Furthermore, it reinforces the image of the“white robed general”and“silver spear and white horse”association.