| 英文摘要 |
As one of Lee Ang's Father Trilogy, ''Eat Drink Man Woman'' delivers a profound portrayal of father figures in the film. This paper attempts to explore the societal changes in Taipei in 1994, the era depicted in the movie. Taiwan was undergoing democratization during this period, gradually phasing out many authoritarian elements. For instance, the decline in talent, such as the head chef position held by the protagonist, Old Chu, in a Chinese restaurant, reflects this transformation. Additionally, Taipei's changing urban landscape, undeveloped areas, and evolving regulations at that time can all be observed in the film.
The characters are placed against the backdrop of a metropolitan city to provide a glimpse into Taipei's societal changes during this period of transition. These changes led people to become increasingly busy, accelerating the pace of life, often leaving them unable to spend time with their parents. Due to cultural exchanges between East and West, traditional Confucian values in 1990s Taiwan, such as filial piety (''father's love and son's respect''), began to loosen. Children were no longer necessarily obligated to care for their parents. The issue of diminished self-esteem due to disability faced by the elderly reflects the hidden concerns of urbanization. Despite these changes, the essence of filial piety persists, albeit in different forms. These ideological shifts not only influenced the younger generation but also prompted even the most conservative and traditional Old Chu to make decisions seemingly deviating from tradition, such as marrying a younger wife. This illustrates the conceptual transformation brought about by modern societal changes. |
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