《詩經》「萬舞」之功能性與儀製及其表現形式論考

An Investigation of the functionality, Ceremonial system and forms of expression of Wanwu in The Classic of Poetry

本文旨在擬以探討《詩經》「萬舞」其功能性、儀製結構及其形式與內容，分析論考《詩經》「萬舞」其所蘊涵的祭禮、樂舞教育與表現內涵，為本文的研究架構及範圍。
本文聚焦於《詩經》中〈邶風．簡兮〉、〈魯頌．閟宮〉與〈商頌．那〉所涉及之「萬舞」為研究主題，藉由古籍文獻記載與現代學者之論述進行探討。以先秦文獻為主要依據，透過經學家注疏及今人學者論述，考據研究對象予以推論其脈絡，並以相關議題文獻為輔，對研究對象予以互見，以進行本文之考察。

The purpose of this article is to discuss the function, ritual structure, form and content of ''Wanwu'' in '' The Classic of Poetry '', and to analyze and examine the connotation of sacrifice, music and dance education and performance contained in ''Wanwu'' in '' The Classic of Poetry ''. This is the structure and scope of the study of this paper.
This article focuses on , and .The ''Wanwu'' involved in that> is the research theme, which is discussed through the records of ancient books and the discussion of modern scholars. Taking the pre-Qin literature as the main basis, through the annotations of Confucian scholars and the discussions of modern scholars, the research object is used to infer its context, and the literature on related issues is supplemented, and the research object is exchanged to conduct the investigation of this article.