| 英文摘要 |
In his book Japanese Horror and the Transnational Cinema of Sensations, Steven T. Brown sets a congenial and cheerful tone, dedicating it to his dog Guinness, who has unwaveringly endured his continuous consumption of horror films. This extraordinary book delves into the realm of Japanese horror cinema, exploring its connections to world cinema and analyzing the techniques that create a cinema of sensations and a wide range of horror affects. Brown takes on the commendable task of examining selected films that represent J-horror’s transnational hybridity within the context of global cultures. With six comprehensive chapters spanning 330 pages, the book offers a deep and engaging exploration of its subject matter. Each chapter is further divided into sections with thought-provoking headings, and the inclusion of extensive bibliographies and lists of extended notes after each chapter adds to the book’s scholarly value. The inclusion of graphical elements and image illustrations throughout the text further enhances its appeal. |
本站僅提供期刊文獻檢索。
