星雲大師一筆字的書法造詣及文學表現

The Aesthetic Achievements and Literature Expressions of the ''One-Stroke Calligraphy'' Created by Master Hsing Yun

星雲大師藉一筆字弘揚人間佛教，但因晚年視力衰退，書作必須一氣呵成，故在書寫前必先意匠經營，預想筆意及整體布局，然後下筆，由此而稱為一筆字。 由於作品必須一氣貫注，筆勢連貫，有如行雲流水，或仍是筆斷意連，此即符合古來書法美學原理；兼且大師一筆字內容深入淺出，寓含哲理，常令信眾得到啟發，歡喜讚歎，而達成弘法之效。此一現象，值得加以探討。 本文係從一筆字的書法造詣及文學表現二個向度加以探討，一方面追溯書法源流，從王獻之一筆書，以及行草書的筆法、創作原則及美學原理，對於星雲大師的一筆字書法，作學理上的探討；筆者認為星雲大師的書法造詣，可以上承古代書法的傳統，又自具特色，能於當世書壇自立一家門戶。 另一方面，古代書法名家，不僅書寫古今文學佳篇，另外，亦必有自創之文學作品，以配合書藝表現。本文即根據此一向度，對於一筆字的內容，分別從思想情感及文學的修辭敘事二個層面，闡揚其中值得關注的表現；故本文也將對大師諸多一筆字的書法造詣及文學表現，分別予以解析。

Master Hsing Yun carries forward Buddhism on Earth with one-stroke calligraphy. Getting poor eyesight in old age, he had to presuppose and arrange before writing and then finished a calligraphic work in one sweep. When reading his calligraphy work, one can feel the momentum and that is why he entitled his work‘one-stroke calligraphy’. The written contents Master Hsing Yun created were easy to understand and included meanings of life philosophy that the public were fond of and got inspired a lot. In the article, the author would explore the‘one-stroke calligraphy’ created by Master Hsing Yun from two dimensions. First, to explore both the calligraphy art-tradition since Wang Xian-Zhi and Master Hsing Yun's own characteristics in his calligraphy aesthetics. Second, to inquire into the rhetoric, narratives and affections of his calligraphy literature.