英文摘要 |
The theories of Song poems (Song Lyrics宋詞), which are usually traced back to Tang poems(唐詩) and with important consensus formation system on literary criticism, have been previously mentioned several times on the Chinese literary history. This article which focuses on the Song poems statements by Yang Shen(楊慎) not only provides a new horizon on Chinese critical texts, but also addresses two problems that have been ignored or not adequately treated in earlier works. First, it traces the history of Song poems, linking them with Six dynasties poems(六朝詩), and organizes a new genealogy of Song poems. Second, Yang Shen shows poetic rhythm and creation rules, methods about Song poems. In particular, he persists that the creation forms on Song poems should be looked back upon poem in six dynasties. Ultimately, this article aims to sort out the theories and creative works of Yang Shen, and implicitly ask the question of how to reconstruct Chinese poem history, when facing the material from the Chinese medieval period, reflecting the literary problems in Ming dynasty (明朝). I suggest that we should emphasize the Six dynasties literature(六朝文學) and make use of what we have to re-inspect, as best as we can. |