英文摘要 |
Beginning in the 1920s, Taiwanese researchers gradually invested in the work of collecting folk literature and took the position of constructing Taiwan's subjectivity. In 1927, Zheng Kunwu raised the commentary of Taiwan's folk songs 37 and added it to the title of ''Taiwan's National Wind'', which was published in ''Taiwan Art Garden'' in an attempt to promote the cultural subject of Taiwanese songs. According to the research path of stylistics, the formation environment and function of stylistics will restrict the orientation of stylistic features and styles. Therefore, the content of a large number of erotic writings is not necessarily related to national construction and cultural inheritance. From the perspective of the formation environment of Yangko and the linguist's context, the main function of Yangge is not to convey the meaning to a certain object. The more aspects should be regarded as a kind of labor literature, as a collective environment to adjust the atmosphere. Character. At present, there are few monographs on the ''Taiwanese Yangko'', which is related to the ambiguity of the folk chorus ''matching chorus'' and the lack of text. Therefore, in the method of research, most of the love writing contents of ''Taiwan Yangko'' are mainly classified. However, it is said that the interpretation of the songs with such a large love song is slightly weak. It can be said that today's academic circles mention that the songs must be written with love. A thought of Lenovo. Therefore, this study starts from the path of stylistic research, and uses the stylistic features of Yangge's ''contrast chorus'' to explore the implications of the content of erotic writing from oral improvisation to the output of the desk literature. |