印尼噹嘟樂的政治想像與文化衝突

The Political Imagination and Cultural Conflict Brought about by Indonesian Dangdut Music

本文回顧噹嘟樂之於印尼政治與文化之間的競合，並依時序縱向分析其審查制度之脈絡與轉變，同時綜合使用東亞民主動態調查、世界價值觀調查、谷歌搜尋趨勢以及地理資訊系統等資料庫進行檢證，分析印尼不同時代下噹嘟樂的政治想像與文化衝突。
具體發現某個時期的音樂風格，被形塑出現代性特徵的政治符號圖像建構，可能成為下一時期的後現代改革客體：一種最初過於俚俗的民間藝術，最終成為下一時期的一種市場主流流行音樂風格；一種上一時期的市場主流流行音樂風格，最終成為下一時期的一種被視為挑戰主流的非主流民主化與宗教政治改革符號；一種上一時期被視為挑戰主流的非主流民主化與宗教政治改革符號，最終成為下一時期的一種過於前衛的情色禁忌；一種上一時期被視為過於前衛的情色禁忌，最終成為下一時期一種國族象徵的在地全球化商業市場途徑。

This article reviews Dangdut's impact on the competition and cooperation between Indonesian politics and culture, and it analyzes the context and changes of its censorship system longitudinally in time sequence. And uses databases such as Asian Barometer Survey, World Value Survey, Google Trends, and Geographic Information System for verification, and analyzes the political imagination and cultural conflicts of Dangdut in different eras in Indonesia.
Finding out that the image construction of political symbol is expressed in the modernity characteristics of the music style in a certain period, which may become the object of postmodern reform in the next period: a folk art that was initially too vulgar might eventually become a mainstream pop music style in the market in the next period; a mainstream pop music style in the market in one period might eventually become a symbol of non-mainstream democratization and religious political reform that was seen as challenging the mainstream in the next period; a symbol of non-mainstream democratization and religious political reform that was seen as challenging the mainstream in the previous period might become an overly avant-garde erotic taboo in the next period; an erotic taboo that was regarded as too avant-garde in the previous period might eventually become a logloblized commercial market approach that also served as a national symbol of the next period.