日治時期《臺灣俳句集》的殖民視野

Colonial Perspectives in the Taiwanese Haiku Collection during the Japanese Ruled Period

本文以日治時期，台灣第一本收集台灣俳句的俳句詩集《臺灣俳句集》作為主要的考察對象。它不僅能提供在台日籍俳人一個吟詠與創作的方向，還能成為日本俳人認識並關注具有台灣趣味的「台灣俳句」作品。
本論文的討論焦點包括三點：首先，這時期的俳句大多由「在台日籍俳人」創作，其季題和題材都反映出殖民者的視野和意識。其次，探討日治時期日籍俳人創作的「台灣俳句」如何在殖民視野下呈現「台灣趣味」。最後，研究日籍俳人在殖民地的混雜身分下的焦慮以及如何在俳句中展現矛盾心境。
本文透過對《臺灣俳句集》的整理與爬梳，釐析其中所反映的作者及作品之視野，期能以此作為理解外來文學與鄉土文化之間的相互影響，以提供俳句研究者一新的面向作為參照。

This study takes Taiwan's first collection of haiku poems ''Taiwanese Haiku Collection'' during the Japanese colonial period as the main object of investigation. It can not only provide a direction for chanting and creation for haiku in Taiwan, but also become a way to pay attention to ''Taiwanese haiku'' with Taiwanese mood.
This study discusses three main points. Firstly, the majority of haiku during this period were created by ''Japanese poets in Taiwan'', reflecting the vision and consciousness of the colonizers. Secondly, it explores how the ''Taiwanese mood'' is portrayed in the ''Taiwanese Haiku'' created by Japanese poets in Taiwan during the Japanese Ruled Period. Lastly, the study examines the anxieties of Japanese haiku poets in the context of their hybrid identities within the colonial setting and how they portray ambivalent emotions in their haiku.
Through the sorting and combing of Taiwanese Haiku Collection, it is hoped that this study can serve as a means to understand the reciprocal influence between foreign literature and local culture, providing a new perspective for haiku researchers to reference.