戰後臺灣金光布袋戲對《三國演義》之改編

A discussion on Taiwan Kimkong Glove Puppet Drama’s adaptation from The Romance of the Three Kingdoms

在俗文學範疇之中，小說與戲劇向來關係密切，元末明初羅貫中《三國演義》成書後，各類型民間戲劇中的三國戲大抵以之為底本加以改編搬演。在臺灣，布袋戲為深涵本土特色的傳統民間戲劇，臺灣布袋戲豐富的劇目中，亦不乏取材改編自小說《三國演義》的三國戲，惟目前學界針對此領域之相關研究尚不多見。本文首先爬梳臺灣布袋戲發展源流，初步了解臺灣布袋戲中搬演三國故事之劇目類型，接著聚焦於金光布袋戲的表演模式，就其敘事風格的形成來看其與《三國演義》的改編關係，再以黃俊雄電視布袋戲《武聖關公》與沈明正電視古書布袋戲《三國演義》兩部現可蒐羅到之影音資料為研究文本，進一步探討臺灣金光布袋戲對小說《三國演義》的改編特色。

In the category of Popular Literature, there are close relationships between novel and drama. While The Romance of the Three Kingdoms was written by LuoGuanzhong in early Ming Dynasty, all kinds of folk drama were adapted from The Romance of the Three Kingdoms until now. In Taiwan, Glove Puppetry is one of the traditional folk drama that has local cultural features, and also has some three kingdoms dramas adapted from The Romance of the Three Kingdoms.In this paper, the origin of Taiwan Glove Puppetry is introduced in the first, and then it will focus on Kimkong Glove Puppet Drama. The development process of Kimkong Glove Puppet Drama’s show mode is analyzed which helps to now the adaptation means about three kingdoms glove puppet dramas and The Romance of the Three Kingdoms. Furthermore, there is a discussion on HuangJunXiong’s television puppet drama “Holy Emperor GuanGong” and ShenMingZheng’s television puppet drama “The Three Kingdoms”. By this discussion, we can understand Kimkong Glove Puppet Drama’s adaptation features from The Romance of the Three Kingdoms.