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篇名
展示文學的多元方法:以國立台灣文學館「文學力」常設展為例
並列篇名
Multiple Approaches to Presenting Literature: Case Study of the NMTL’s Permanent Exhibition
作者 簡弘毅
中文摘要
由於歷史因素與社會條件,台灣文學的大眾接受度並不普遍,因此國立台灣文學館的展示設計與相關推廣活動,存在著學術專業與公眾接受度的兩難抉擇。該館開館以來的第三期文學常設展「文學力:書寫LÁN臺灣」,旨在打破此一隔閡,從展示策略的規劃,到互動裝置的設計製作,及運用多元新科技的輔助導覽,都是企圖將文學的嚴肅知識、館藏文物與研究成果,轉化為可親近、生活化與普及性的展示內容,使該展覽具備面向大眾的內涵。本文透過案例分析,包括策略手法、跨領域運用、數位應用等多元設計角度,說明這些展示轉化的效益與意義,呈現台文館迎接新時代挑戰的成果。
英文摘要
Because of unique historical and social circumstances, Taiwan literature is not broadly appreciated in the land that has been its primary font of inspiration. Therefore, in designing, curating, and promoting exhibitions, the dichotomy between scholarly rigor and public interest and acceptance is an issue that the National Museum of Taiwan Literature (NMTL) must regularly take into consideration and work to temper. NMTL’s third permanent exhibition, entitled“The Power of Literature: Writing Our Taiwan”, was carefully developed to achieve both objectives. From strategic exhibition planning through to the use of interactive installations and innovative, technology-enhanced tour aids, the curation team focused its efforts on transforming substantive and scholarly information, research results, and collection items into a curated narrative and displays that would be approachable, relevant, and easily understood and appreciated by museum visitors. In this paper, case analysis is used to explain the efficacy and meaning of the exhibition transformation process and to highlight the related results achieved by the NMT
起訖頁 149-180
關鍵詞 作家星圖口傳文學聲音裝置白話字名片文學籤詩機常設展galactic imageryoral literaturePe̍h-ōe-jīcardlottery poetrypermanent exhibition
刊名 文史臺灣學報  
期數 202310 (17期)
出版單位 國立臺北教育大學台灣文化研究所
該期刊-上一篇 原住民作家與「台灣島史」書寫:以巴代的《暗礁》、《浪濤》、《月津》為例
該期刊-下一篇 傳奇日語教師吳滄瑜先生訪談紀錄
 

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