英文摘要 |
The complexity of Hong Kong comes from its own history, which leads commentators to often fall into ''complexity'' when dealing with Hong Kong issues, almost always linked to politics. This article attempts to pay more attention to author MA's(馬家輝)Once Upon A Time in Hong Kong(《龍頭鳳尾》)and Once Upon A Time In Hong Kong II(《鴛鴦六七四》). Two literary works analyze its ''cultural memory'' and provide a new path for the study of Hong Kong culture. Author MA Ka Fai wanted to leave his own ''witness'' for the place where he grew up in Wan Chai, Hong Kong, so he used novels to ''commemorate''. As a city that avoids chaos, Hong Kong embraces and tolerates people from all backgrounds and identities. Many people only start to learn to be Hongkongers after coming to Hong Kong, and their emotions towards the place are only connected to them after becoming Hongkongers. Through MA's writing, mixed with historical data and imagination, readers can better understand the combat of Hong Kong people in the struggle between big powers at that time, as well as their helplessness and compromise with their fate. It is a memory of the environment at that time and an introduction to the colonial situation. Hong Kong is often used as a creative material because of its complex history and political situation. Hong Kong's ''rich and strange'' comes from its background, the construction of elements in creation, and the influence of Hong Kong society on creators. The author's narration in the book shows that when the Japanese invaded Hong Kong, they changed the names of places left by the British colonial past. This article believes that it contains the author's own cultural identity and historical accusation. Then, through mingling Chinese and English, Hong Kong is created in everyone's heart and ''recreated'' Hong Kong for readers. |