從中心位移看博物館的當代處境

The Contemporary Situation of Museums in Light of Central Displacement

在博物館的歷史發展中呈現出三個趨勢：從展品到觀衆、從時間到空間、從展示到活動。在這三個中心的位移中，我們一方面能看到當代博物館作爲社會意義生産機構的自我定位，另一方面也能看到它在當代的獨特處境。這一由觀衆推動的新歷史時期將爲作爲社會組織（機構）的博物館將帶來巨大的解放空間，在意義生産、機構組織方式、如何實現「公共性」以及打破「僞教育化」等諸多方面提供更多的可能性。作爲現代社會「自反性」的反映，博物館既是我們所珍視的文化內涵的呈現，也爲社會提供了反思與辯論價值的空間，成爲我們不斷刷新經驗與判斷的交匯處。

In the historical development of museums, three trends have emerged: a displacement from artifacts to audiences, from time to space, and from exhibition to activities. Within the three central displacements, we can observe both the self-positioning of contemporary museums as institutions for the production of social meaning and their unique circumstances in the present day. This new historical period, driven by the audience, will bring significant emancipatory opportunities for museums as social organizations. This new historical period, driven by the audience, will bring about significant liberating possibilities for museums as social organizations /institutions. It will provide expansive space for meaning production, organizational structures, the realization of ''publicness,'' and the breaking of ''pseudo-education,'' among many other aspects. As a reflection of modern society's ''reflexivity,'' museums not only present cultural content that we cherish, but also provide a space for societal reflection and debate, becoming a crossroads where we continuously refresh experiences and judgments.