英文摘要 |
Eleanor Catton’s The Luminaries is a neo-Victorian novel with astrology at the heart of its narrative structure and plot development. Catton’s story is centered on a crossed destiny between astrology and written law when three unsolved crimes occur simultaneously on January 14, 1866, under the celestial phenomena of earthshine. In this paper, I examine how astrology and written law, as systems of making meaning of the world, depict the human condition in 19th-century disenchanted New Zealand. Given the author’s open admission of Jung’s influence during her composition of this novel, I deploy Jung’s history of alchemy and his archetype of the Self in the first part to decipher the nature of the main characters, Anna and Emery, as astral twins. This part also explores whether the characters, who embody constellations, have free will while under the influence of celestial motion. The latter parts of the paper investigate how Anna and Emery become embroiled in and resolve the legal disputes over their criminality during the gold rush in New Zealand. As the chaotic body in South Island, Anna is subject to the ethos and criminal policy of the Victorian period. As for Emery, being the immaterial body in terms of legislation, he is regarded as a natural person; 19th-century New Zealand judicature holds that a natural person’s character is inseparable from their criminal responsibility. |