巴贊的真實論

Bazin's Theory of Reality

本論文探討安德烈•巴贊（AndréBazin 1918-1958）電影理論的三個「真實概念」，分別為（一）寫實主義；（二）完美的電影；（三）義大利新現實主義的電影語言的演進。進一步說，我們能從這裡看到巴贊真實論的特色。筆者會在這篇論文一邊釐清realism從繪畫史到電影史的複雜糾葛，一邊爬梳清楚巴贊電影理論裡對藝術與真實的探討。最後，清晰展示巴贊真實論之思考模式。

This thesis examines three ''concepts of reality'' in AndréBazin's (1918-1958) film theory. They are (1) realism; (2) total cinema; (3) the evolution of the language of cinema of Italian neorealism. Furthermore, we can see the characteristics of Bazin's realism here. In this thesis, I will clarify the complex entanglement of realism from the history of painting to the history of film, and at the same time elucidate the discussion of art and reality in Bazin's film theory. Finally, it clearly demonstrates the thinking mode of Bazin's theory of reality.