英文摘要 |
Examining Yuan Hao-Wen’s theory and practice of writing Shi (lyric poetry) and Ci (song lyric), this paper analyzes the sense of propriety in“Jocularity”and“Resentment”expressions between these two different emotion carriers to illustrate the thought Yuan realize human feelings in Shi can’t be vented, but in Ci can, because Ci than Shi is the lower status of literary form. We don’t totally agree with previous studies referring to Yuan as one of admirers of“Creating Ci from Shi”. In fact, Yuan created Ci from Shi by refining writer’s personality toward moral teachings in Shi rather than mixing up the levels of formality determined by Shi and Ci separately. For example, Gon-ti related to the subject-matter about being immersed in love, such as luxury and dissipation life in the brothel and Female melancholy longings in the boudoir, is the major characteristic of traditional Ci, and most of“Creating Ci from Shi”writers criticized Gon-ti for tending to debase the spirit of human. On one hand, there are a lot of Gon-ti works in Yi-Shan Yue Fu, the collection of Yuan’s Ci, in contrast with almost no in his Shi, but on the other hand, he asserted“Despite writing Gon-ti Ci occasionally, it isn’t summed up in the name‘Gon-ti’.”For Yuan’s perspective, as long as Gon-ti originates from writer’s sincerity and loyalty, it just has the outer surface on suspicion. In conclusion, it can be said Yuan regarded Ci as an informal way of writing expression compared with his Shi, but both of them are under the same premise of not losing honesty, and furthermore,“Creating Ci from Shi”isn’t combined with promoting status of Ci inevitably. Base on this case, probably we can bring back the complexity of literary forms in view. |