一種基於視點與時間變動雙軸的新影像空間：論「teamLab無界」展覽中的個人自拍

A New Image Space with Different Perspective: Selfies in“teamLab Borderless”

本文透過「變動的視覺軸線」以及「變動的時間軸向」兩個層面，來剖析「teamLab無界」這種以大規模電子影像做為空間表皮的展覽，是如何結合扁平的視覺元素與不同的空間層次，以及多元隨機的影像效果，來促使觀者流連忘返於其精密的布局規劃中。此外，本文亦將指出，隨著當代數位自拍流行的極速浪潮，影像展場釋放了個人的表演慾望，在無懼他人目光（其實人人只關注自己）的忘情演出下，自拍的魔力又將展場中的視覺意象符號化，並於社群平臺中形成一種虛實往復迴旋的敘事結構，不斷吸引著新一波又一波的演員，到場進行數位時代的大型表演藝術。

This study focuses on the exhibition of“teamLab Borderless,”which uses large - scale electronic images as the surface skin, to immerse the audience in the exhibition through different perspectives and interactive effects. Furthermore, this study notes that along with the popularity of selfies, this exhibition also releases the personal desire of performance. During the performance, the magic of selfies symbolizes the visual images in the exhibition, and form a special narrative structure in social media, which will continue to attract new audiences and allow them to participate in the exhibition.