英文摘要 |
The first socialist country, USSR, on the human history was established at dawn of the 20th century on the Euroasia continent. Under the circumstance of internal revolt and foreign invasion, the Bolshevik embraced the Revolution with the variety of artistic creations. The agitative and propagandist visual images, created by the time, symbolized the declination of the past tsarist regime. The rhythm of the artistic styles responded to coming new era with its enthusiasm and desire. This article intends to draw attention on the art performance, mainly on parade decorations and the political posters, of the public space in the sequence of the historical development of the Russia/Soviet culture. The target of the essay is to analyze the dynamic function of the political unit in the public space. In comparison with Habermas’ theory of the “Public Sphere”, the attention of the same is to look into the living space of the ordinary people that is connected to the open area. The situation of the balance/concession between the ideological apparatus and the receiver (the people), the state-favored form of art and its influence of the same are to be discovered. Hence, the newborn community of the Soviet Union, entitled the “Last Empire”, is not difficult to imagine. |