翻開皺褶，重新指認談幾篇臺灣九０年代小說的記憶書寫

Uncover the Creases and Identify Again──A Discussion of the“Memory Writing”in Several Taiwan 90s Novels

90年代臺灣社會正經歷轉型，政治秩序重組、資訊媒介發達，大量訊息朝生夕滅，記憶的脆弱格外明顯。本文細讀四篇90年代的小說：朱天心〈古都〉、李昂〈彩妝血祭〉、平路〈暗香餘事〉、駱以軍〈折光〉，分析其如何以敘事技藝探索記憶，指出朱天心藉由空間製圖方式重組不同時間的記憶，打亂時序以過去向未來頑強抗爭。李昂則藉由想像與虛構，迂迴逼近已然湮滅的二二八記憶。平路〈暗香餘事〉、駱以軍〈折光〉分別以記憶的逆襲與分歧，重新思索記憶與認知相互建構的關係。四篇小說凸顯小說作為虛構文體，多種深掘記憶書寫的可能性。

In 90s, Taiwan society was undergoing transformation. The political order reorganized and the media became well developed. Plenty of information poured in and got eliminated everyday. The frangibility of the memories was evident particularly. This article peruses four 90s fiction: Chu Tien-Hsin's（朱天心）“The Ancient City”（〈古都〉）, Li Ong's（李昂）“Tsai-chuang Hsieh-chi”（〈彩妝血祭〉）, Ping Lu's（平路）“Ang Shung Yu Shi”（〈暗香餘事〉）, Luo Yi-Jun's（駱以軍）“Che Guang”（〈折光〉）, and dissects those advanced narrative techniques in their“memory writing”. In this paper, we propose that Chu Tien-Hsin recombined the memories in different periods using the skill of Time Cartography. He struggled against the future with the past by disorganizing the time sequence; By imagination and fiction, Li Ong tried to draw near to the memories about the 228-Incident which was nearly fade away already;“Ang Shung Yu Shi”（Ping Lu）and“Che Guang”（Lo Yi-Jun）exhibited the assault and the divergence of memories respectively. They reconsidered how memories and cognitions construct each other. As the“fiction”, these works show the various possibilities of“memory writing”.